Essay about The Behaviour of Puck in A Midsummer Night's Dream
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The Behaviour of Puck in A Midsummer Night's Dream
'A Midsummer Night's Dream' is a play where the line between dream and reality disappears. It's about how love is magical. The play was written around 1598 and would have been preformed in the Globe Theatre. It is a comedy, because like almost all of Shakespeare's comedies it ends in marriage. In the play we get introduced to a character named Puck. He is a fairy and a loyal servant to Oberon. I have chosen Puck because he is the pivotal character in this play. I believe Puck is good and I will prove this by examining a few scenes in the play to prove is essentially a good character.
Puck first appears in Act 2 Scene 1 when he runs into another…show more content…
So others so far may not think very highly of him but I still believe he is a good character.
In Act 3 Scene 1 we see something, which may show Puck's nasty side looming because he gives Bottom an asses head. But later Puck says:
'I'll follow you: I'll lead you about around'
So we see he's just playing a game with them leading them 'about around' just to amuse himself, here we see him being 'knavish' as the fairy called him before, because he's being childish and thinking about himself but then again he's keeping the audience amused, so he seems like an entertainer. He's also doing what Oberon wants (by mistake) because Titania does
'wake when some vile thing is near'
He does it by mistake but it is his mistakes which moves the play along e.g. mistaking Lysander for Demetrius. So he manages to affect the human and fairy world. That is why I think Shakespeare chose Puck to end the play.
All through the play Puck speaks in rhymed couplets as like all the fairies to make them seem 'magical'. Puck arrives in Act 5 Scene 1
'To sweep the dust behind the door'
This is a commonly used phrase meaning to put away your troubles and forget about them, which is very fitting with his
A Midsummer Night's Dream is a classic example of Shakespearean comedy. What, you don't believe us? We'll prove it to you. We've got a checklist that details all the typical conventions and features of the genre so you can see for yourself:
Light, humorous tone: Check. The play features fairy magic (like Oberon's love potion), silly pranks (like the transformation of a guy's head into that of a jackass), and the botched performance of a play-within-a-play by a bunch of wannabe actors. Need we say more?
Clever dialogue and witty banter: Check. Shakespeare is a huge fan of puns and snappy wordplay, so naturally his characters know how to get their witty repartee on. Shakespeare reserves some of the best dialogue for his warring lovers, especially Oberon and Titania, and even the "rude mechanicals" manage to wow us with their clever banter.
Deception and disguise: Let's see… Hermia and Lysander try to sneak away from Athens to elope (behind Egeus's back). Also, Titania and the young lovers have no idea they've been drugged by Oberon and his magic love juice. So, check.
Mistaken identity: Check... sort of. In most of Shakespeare's other comedies, someone usually runs around in a disguise to mask his or her identity. (Sometimes, a lover is even tricked into sleeping with the wrong person by mistake.) This isn't necessarily the case in A Midsummer Night's Dream, unless we count the fact that the love juice causes Titania to fall head over heels in love with an "ass." In other words, Titania mistakes Bottom for a creature who is worthy of her love and affection. The same can be said of the other lovers who are dosed with Oberon's magic love potion.
Multiple plots with twists and turns: Check. There are several lines of action in A Midsummer Night's Dream and Shakespeare invites us to sit back, relax, and enjoy the ride. The first plotline involves Theseus and Hippolyta's upcoming wedding. The second plotline involves the young Athenian lovers who run around the wood in confusion. The third follows Oberon's tiff with his wife, Titania. And as a fourth plotline, Shakespeare works in a bunch of craftsmen (the Mechanicals), who plan to perform a play at Theseus's big, fancy wedding.
Love overcomes obstacles: Check. From the play's very beginning, Shakespeare beats us over the head with this idea. Seriously. The only reason Theseus is even engaged to Hippolyta is because he conquered her people (the Amazons) and basically won her in battle. Just a few moments after we hear about Theseus and Hippolyta, we learn that Hermia and Lysander must also overcome a major obstacle if they want to be together because Hermia's dad wants her to marry someone else. Never mind the fact that we've got a bunch of mischievous fairies running around the wood sloshing magic love juice into the eyes of hapless humans, causing them to fall in and out of love with the first creature that comes into view. In the end, though, love wins out and Theseus and the four young lovers all hook up with a steady partner. Keep reading...
Marriage: Check. This is important so pay attention, Shmoopsters. No matter what else happens, Shakespeare's comedies ALWAYS end with one or more marriages (or the promise of marriage). This is Shakespeare's way of restoring social order to the world of his plays (after turning order on its head for a few hours). At the end of A Midsummer Night's Dream, Theseus finally gets to marry Hippolyta and spend the night with her (which he's been talking about since the play's opening lines). As for the four humans who have been chasing each other around the forest and falling in and out of love, they finally settle down and hook up with a steady partner: Hermia weds Lysander and Demetrius gets hitched to Helena.
Family drama: Check. If you read the very first scene, you know that Hermia and her dad Egeus go toe-to-toe about whom she should and shouldn't marry. Egeus is so worked up about his daughter's disobedience that he wants Duke Theseus to uphold the Athenian law that says daughters have to do what their fathers say or else they get sentenced to death. Yeesh. It's a good thing A Midsummer Night's Dream isn't a tragedy, otherwise this ugly little domestic dispute would end badly. How badly? Think Romeo and Juliet badly.
(Re)unification of families: Check. Like we said earlier, Egeus would rather see his daughter dead than witness Hermia marry Lysander. Still, A Midsummer Night's Dream is a comedy so Egeus eventually backs down and gives in to the idea that Hermia is going to marry for love. We should point out that Egeus only changes his mind after Duke Theseus orders him to back off (4.1), but still, Egeus sticks around for his daughter's wedding, so we're counting that as a family reunion.